Woodwinds Mics - sE Electronics
WOODWINDS
Woodwinds are delicate, and require a microphone that appreciates and translates their delicacy. A poor mic choice can render them thin, nasal, or harsh, but a great mic can make a soloist truly come alive on a recording.
sE2200
"...it has a fairly natural sound but is capable of flattery, insomuch as it adds a little low-end warmth while keeping the highs sounding sweet."
- Paul White, Sound On Sound (full review of the sE2200a II)
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VR2
"The VR mics immediately reveal their extended HF range, especially when placed alongside other ribbon mics. In fact they would stand out less in among a set of condensers."
- Robbie Stamp, Future Music / Music Radar
The RN17
"The RN17 has become my desert island microphone. If there was one microphone I knew I could take with me that would get me out of trouble, it’s this...The clarity and the detail I get is wonderful."
- Simon Franglen, GRAMMY®-winning Composer / Producer / Musician ('Avatar', 'Titanic', 'Skyfall') - sE Artist
The RNR1
"The RNR1 was fantastic. I used it on solo ethnic winds, which can be really tinny and one-dimensional with the wrong mic. But the RNR1 sounded fantastic - three-dimensional and huge. I had to do nothing but light compression in the mix. No EQ."
- Chris Fogel, Scoring Engineer ('The Wolf of Wall Street', 'The Secret Life of Walter Mitty', 'Old School') - sE Artist